KINGSMAN: THE GOLDEN CIRCLE.

ANTI-TRUMP & ANTI-AMERICAN MOVIE! WHY SHOULDN'T THE U.S. PRESIDENT WIN THE WAR ON DRUGS? BECAUSE THERE ARE A LOT OF UNIMAGINATIVE LOSERS WHO USE DRUGS TO DEAL WITH THE DAILY PRESSURES?

The U.S. President shouldn't win the War On Drugs so bloody losers should live? It seems that "Kingsman: The Golden Circle" is obvious Communist Anti-Trump psychological warfare!

 Do you know why LANCE ARMSTRONG was stripped of his 7 Tour de France Titles?

According to Bussines Insider, it was because "the U.S. Anti-Doping Agency found that his team runs "the most sophisticated, professionalized and successful doping program that sport has ever seen."

http://www.businessinsider.com/where-are-they-now-lance-armstrong-tour-de-france-teammates-2015-6/#levi-leipheimer-was-an-all-rounder-who-rode-with-armstrong-on-a-few-different-teams-at-the-tour-he-later-admitted-doping-during-his-career-2

Well, if we see that competitors in a competition are disqualified because they are not competent enough as to deal with the demands of the competition without the use of drugs... why as an audience should we accept the message delivered by the ANTI-TRUMP/ ANTI-AMERICA British-American movie KINGSMAN: THE GOLDEN CIRCLE?

According to this movie, the U.S. President, instead of winning the WAR ON DRUGS should lose the war so a lot of losers can live! But the wars have casualties! Why a lot of cheating competitors in the routine capitalist daily life competition should be saved! If they cannot deal with daily pressures they should change their job! They should change their style of living! They should move to the United Kingdom, Venezuela, North Korea, Russia, or Bolivia! If they cannot live according to the demands of their positions in the capitalist system they must move and let capable workers develop their activities! The capitalist system doesn't work better because a lot of workers is not fit to deal with their responsibilities and have to use drugs!

It is incredible that Twentieth Century Fox is distributing such a movie! Twentieth Century Fox doesn´t understand the spreading the idea of forgiving losers will have its business crushed! Losers are good for nothing! So, how do Twentieth Century Fox expect the keep a paying audience? Is Twentieth Century Fox crazy? 

Is getting drunk a solution to anything?

I hope that at the Department of Defense, nobody listens to those heavy pot smoking - homosexuals - British operatives - political advisers who can talk to the U.S. President! Only the British would like a movie the promotes defeatism in America! Instead of having a healthy society where everyone can face reality, the British would want an American society where the soul weaknesses are encouraged! If you are not capable of assuming a responsibility at a time you should accept it! But using drugs to deal with "the pressure" is sabotage! Escapism is not an option for Americans! Let the British pretend that they can rule the world with drugs! This is no the American style!

It is obvious that there is an agenda behind this feature film!

Why the U.S. President goes to jail at the end of the movie just because he thinks like a warrior?

Why a member of the Department of Defense is the only one who agrees with winning the War on Drugs?

How many COMMUNISTS are needed to write down a script like this one?

Donald Trump, the U.S. President is under attack right now! The leftists, socialists, Communists, want the support of those losers who use drugs!! The same losers who forced America to leave Vietnam due to their political intervention in Washington D.C.! The Department of Defense is under attack too! It is time to win again! Keep your eyes open! KINGSMAN: THE GOLDEN CIRCLE is COMMUNIST psychological warfare disguised as teenage entertainment!

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Jorge Luis Villacorta Santamato

Leonidas Zegarra

"María y los niños pobres" (2010)

Best Movies in Peru 2017 (MEJORES ESTRENOS 2017 PERÚ)

JOSHUA KENNEDY MAN OF THE ARTS: AN INTERVIEW.

JOSHUA KENNEDY TELLS US ABOUT HIS APPROACH TO FILMMAKING!

JOSHUA KENNEDY Man of the Arts

http://www.imdb.com/name/nm5298993/

1)      When did you saw, for the first time, the movies as a medium that you could become involved with?

Film has always been a part of my life; I always joke that I came out of the womb holding a camera.

I remember going to see the animated film THE PRINCE OF EGYPT and being upset that Charlton Heston wasn’t playing Moses. I was four when PRINCE OF EGYPT came out… which means that I had already seen Cecil B. DeMille’s THE TEN COMMANDMENTS in its entirety by that age. I was one weird kid.

I made my first film not too long after called IT CAME FROM THE BATHROOM, about a giant monster that emerges from the toilet and kills all of my toy soldiers.

2)      What was the attitude of your environment toward the movies? (did your parents liked filmmaking?, did they encourage you to make your own movies?)

I have been extremely blessed with an incredibly positive environment regarding my filmmaking. My mom is a huge movie fan, and my Dad is wonderfully outgoing and expressive in everything he does. In short, my life was a perfect melting pot to create in.

3)      You like making a particular kind of movie. Did you experience an inner struggle before accepting the kind of movie you like?

Oh, no, I’ve never experienced that type of struggle. I like what I like and I’m going to make what I like. I had many teachers in school tell me I should write something like a family drama, and my answer always would be “When I am interested in family dramas, I will make a family drama. Right now, I am interested in vampires.”

4)      Why do you like the kind of movie that you like to make?

I love fantasy because it is so far removed from every day life. I love seeing how an ordinary person would react when confronted by a giant squid, or a woman who turns into a snake… it just intrigues me.

5)      Obviously, making your movies take time, effort, and resources. Are you satisfied with the results?

Yes, I am very happy when I complete a film. Of course, as time goes on and I grow, I look back at certain films and cringe! But I think that is with any artist…

6)      Right now, do your movies recover the investment?

I really haven’t had a budget before – so – yes! They do recover an investment of $17!

7)      If you had financial freedom (up to 10 million dollars) to make a feature film, what kind of movie would like to do? Do you have a pet project right now?

I have a habit of not letting my pet projects percolate in the future: I end up doing them immediately.

There was an entire summer where I was obsessed with the AIRPORT films of the 1970s. I wanted to make my own version, but everyone kept telling me to wait until I had a budget for an actual plane.

I threw out that idea and made it anyway – transforming a hallway at my school into a cockpit.

8) What is your attitude toward the monetary aspect of making one of your movies?

Awful. I’m not a businessman and I never intend for my movies to make me rich or famous. Of course, an actual budget would be ideal to pay my volunteer actors… and to have actual sets and the like…

9)    How do you gather your production team and the actors? Do you pay them? Do they work for free?

I’ve been constantly blessed to be surrounded by friends who are WILLING to be in my productions and be paid in food, experience, and an IMDB credit. It helps that most of them are actually actors, themselves. If I had a budget, they’d be the first to be paid.

10)      How long does it take to edit one of your movies?

This is a good question that I probably don’t have an exact answer for! Haha. I edit while I am shooting, so there really isn’t a period of “Pure Editing”. A month? A month and a half?

11)  Do you use storyboards to shoot the movie according to the images inside your head or you adapt the camera viewpoint to the circumstances? Or are you imitating the images from other movies?

A bit of all of those, actually!

For action sequences, I think it is vital to have storyboards.

I’m inclined to see what the scenes present themselves in rehearsal – maybe an actor will come up with an idea that didn’t even cross my mind while writing, and then I can adapt from there.

And yes, some scenes of mine pay tribute to films that have come before and so I replicate certain shots in my own way.

12)   How long do the actors practice the lines before shooting? Do you organize collective readings?

Preferably I like to have the entire cast together to read through the entire script at least once, but this is very rare. The hardest part for me as an independent, low-budget filmmaker is that my actors are purely volunteers and are giving up their free time to work with me: having them all show up on time to film one scene is a miracle so I try my best not to waste time.

Ideally, I will tell them the scene(s) we will be shooting a few days beforehand and they show up with their lines memorized. Of course, sometimes the actors called for that day have last minute change so their schedule and I am forced to shoot other scenes with the actors who do show up! When that happens, those that did show up are forced to learn their lines in a hurry, and I am forced to come up with shooting ideas for a scene I was unprepared for.

13)  Do you admire specific movies or filmmakers? Which ones?

It really takes a lot for me to dislike a film. I love science fiction and fantasy.

I adore the Hammer Films of the 50s, 60s, and 70s. Terence Fisher is my favorite director along with (off the top of my head) Billy Wilder, Hitchcock, James Whale and Howard Hawks, among many others.

From the modern filmmakers I’ve been most impressed with the films:

Birdman, Rogue One, The World’s End, Scott Pilgrim vs. the World,

14)   How do you see yourself in the filmmaking world in 2,022? Do you have specific goals to achieve?

If I could continue making films, I would be entirely happy. If I could be making money from them: all the better.

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Jorge Luis Villacorta Santamato
Leonidas Zegarra
"María y los niños pobres" (2010)
Best movies in Peru (2017) (MEJORES ESTRENOS 2017 PERÚ)