viernes, 10 de junio de 2016

MAKE MINE FREEDOM (1948)

¡UN MENSAJE ENCANTADOR!
LOVELY MESSAGE!




Esta hermosísima producción fílmica se percibe sumamente actual en el Perú de 2016, en el cual la obra cinematográfica de un cineasta extraordinario como es Don LEÓNIDAS ZEGARRA UCEDA se intenta ocultar debido a la fidelidad por la libertad artística que presenta este artista originalisimo.

"MAKE MINE FREEDOM" (1948) muestra cómo una persona razonadora y amante de la libertad puede proteger a toda una comunidad de la nefasta, perniciosa, ponzoñosa, letal, putrefacta, asquerosa y maligna infiltración comunista. ¡Es una película que debería transmitirse por todas las estaciones de televisión peruanas en versión castellana a toda hora! ¡Cuánta riqueza artística, moral e intelectual tienen los estadounidenses! Siguiendo este bellísimo ejemplo fílmico DON LEÓNIDAS ZEGARRA UCEDA ha anunciado un nuevo proyecto de largometraje titulado "¡Comunista Maldito!" que seguramente hará las delicias de todas las personas con vocación de seres libres.

Por los motivos enunciados proporcionamos a "MAKE MINE FREEDOM (1948)" una posición entre los MEJORES ESTRENOS 2016 EN EL PERÚ.
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lunes, 6 de junio de 2016

DON LEÓNIDAS ZEGARRA UCEDA: THE PERUVIAN FILMMAKER / EL CINEASTA PERUANO.

¡ES UNA PELÍCULA MUY EMOCIONANTE! 
WHAT AN EXCITING MOVIE!




 Leonidas Zegarra is the greatest anti-communist Peruvian filmmaker. Since the inception of his career his film production was attacked from a communist perspective: the criticism pointed out that his very first feature film did not support convincingly the political ideals of the Revolutionary Government of the Armed Forces of Peru and, after few weeks of exhibition, it was banned.

At the time, the communist militants disguised their ideology under names like "humanist socialism" or "social democracy of full participation" and promoted the idea that only those who defended these ideas deserved to be considered "intellectuals."

Due to the importance of the cinema as a tool of propaganda for communist purposes, the militants organized themselves around magazines of minor distribution who became "important" because the communist stated so. This was an excellent way of imposing pressure of the film production that did not support the party line delineated by the "socialist" and "ex-guerrilleros."

Savagely discredited by a large organization of communist "film critics" who penetrated the universities, newspapers and government organizations, Mr. Zegarra courageously protected his artistic vision for decades and continues devoted to the passion that has motivated him since his childhood: filmmaking.

The reality of the Peruvian people can be fully appreciated in his movies at the thematic, technological, and financial levels: most of these are movies of about survival, created in conditions of survival. Naturally, the communists do not want to see the Peruvian reality from the perspective of Mr. Zegarra because they think that their own understanding of the social life is the right one. All independent thinkers who want to grow financially through the commercialization of this own ideas and products must be destroyed.

Anyway, Leonidas Zegarra keeps fighting the good fight... no matter what. And he does it successfully!
Those artists and scholars who recognize his artistic integrity and playful films and books admire him from the heart.....
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viernes, 13 de mayo de 2016

ACADEMY FILM SCHOLARS PROGRAM 2016

Shawn Guthrie mail@grantapplication.com

2:57 PM (9 hours ago)

to me
Dear Mr. Villacorta:

Recently, the Academy’s Grants Committee met to select the recipients of the Academy Film Scholars Grants.  Out of 99 applications received, the Committee members were pleased and excited to discover a number of exceptional proposals.  After a great deal of discussion including praise for a number of the proposals, the committee ultimately selected two.  Regrettably, your proposal was not selected.

A press release announcing the two newest Academy Film Scholars will be distributed in the near future and I will make sure a copy is e-mailed to you.

The committee asked me to inform the applicants how much they enjoyed reading the proposals and how worthy many of them seemed.  They anticipate that a good number of the proposals will come to fruition.  They also wanted you to know that your re-application to the program in the future would be welcome.  The online application form will be available once again in late summer or early fall.

Best of luck in all your future endeavors.

Sincerely,
Shawn Guthrie
Manager, Grants and Student Academy Awards
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Academy of Motion Picture Arts & Sciences <mail@grantapplication.com>


Jan 31


to me

Thank you for your submission. Your application has been submitted successfully, and the tracking number is 27315. You will be receiving more information on the status of your application shortly. For your records, here is a copy of the contents of your application.

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Applicant Information

Prefix


Mr.

First Name


Jorge

Middle Name or Initial


Luis

Last Name


Villacorta

Suffix






Street Address


Los Halcones 563. Urb. Sta. Cecilia. Bellavista.

City


Callao

State


Select N/A if this field is not applicable to you.

N/A

Zip Code


02

Country


If you do not see your country listed select "Other" from the drop-down and enter your country in the Street Address field above.

Peru

Phone


(511) 4514334

Mobile Phone





E-mail Address


JORGEVILLACORTA1@gmail.com


Co-Applicant Information







Prefix






First Name





Middle Name





Last Name





Suffix






Address




City





State






Postal Code





Phone





Mobile Phone





E-mail





Last Name



Villacorta

Proposal Information

Project Title


Occult Hollywood, the New World Order, and Leonidas Zegarra.

Project Statement Summary


(One or two paragraphs summarizing the project)

Hollywood is the U.S. Intelligence Community propaganda machine and the managers of the capitalist New World Order (NWO) weaponize it as a tool of psychological warfare. Hollywood works as a secret organization that supports worldwide political, economic and spiritual objectives in coordination with the censors of technologies whose effects seem to be supernatural to the unaware observer because they include mind reading, remote mind control, realistic holographic disguise, gang stalking and artificial synchronicity among other effects.

At the end of 2015, members of the NWO actively working in Hollywood were hiddenly paying intense attention to storylines where the Peruvian filmmaker Leonidas Zegarra was depicted as the living god of all the producers, writers, directors, actors and technicians working in Hollywood. It might seem strange that the masterminds behind the totalitarian international conspiracy we are living today were so interested in a modest Latin American filmmaker but behind the curtain lies a harrowing narrative of symbolic power struggle between the all-encompassing wizards of the NWO and the single, fragile and disturbed soul of an unknown Peruvian private citizen.



Project Type


(i.e. book, multi media presentation, interactive dvd, curatorial project, website)

Book

College/University Affiliation


(List for both if there are two applicants)

UPC (Universidad Peruana de Ciencias Aplicadas)

Projected Project Completion Date


27/02/2017

Anticipated Use of Grant Funds


(e.g., research travel, time off, book photos, etc.)

Research travel, book photos, office supplies.
Attachments


UPLOAD INSTRUCTIONS
1. Choose the Title from the drop down menu of the file you wish to attach.
2. Click the Browse button to search for the file you wish to upload. Click the file you want to attach then click the Open button.
3. Click the Upload button to attach the file to this application.
4. Then return to the Title drop down to repeat Steps 1-3 for the next document.





Project Statement


(up to five pages)

Occult Hollywood, the New World Order, and Leonidas Zegarra. Project Statement.doc

Bibliography


(up to three pages)

Occult Hollywood, the New World Order, and Leonidas Zegarra. Bibliography.doc

C.V.


JORGE VILLACORTA C.V. 2016. Academy Film Scholars Program.doc

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Occult Hollywood, the New World Order, and Leonidas Zegarra.

Hollywood is the U.S. Intelligence Community propaganda machine and the managers of the capitalist New World Order (NWO) weaponize it as a tool of psychological warfare. Hollywood works as a secret organization that supports worldwide political, economic and spiritual objectives in coordination with the censors of technologies whose effects seem to be supernatural to the unaware observer because they include mind reading, remote mind control, realistic holographic disguise, gang stalking and artificial synchronicity among other effects.

At the end of 2015, members of the NWO actively working in Hollywood were hiddenly paying intense attention to storylines where the Peruvian filmmaker Leonidas Zegarra was depicted as the living god of all the producers, writers, directors, actors and technicians working in Hollywood. It might seem strange that the masterminds behind the totalitarian international conspiracy we are living today were so interested in a modest Latin American filmmaker but behind the curtain lies a harrowing narrative of symbolic power struggle between the all-encompassing wizards of the NWO and the single, fragile and disturbed soul of an unknown Peruvian private citizen.

Project Statement

a. Describe the proposed project clearly and concisely.
b. Define both the objective and the methodology that will be employed.
c. Place the project in academic or professional context by referring to other leading works on the topic. Describe how your project is distinguished from these works.
d. Please highlight any portion of your project that examines film industry subjects or ideas that have been underrepresented in the canon of film scholarship to date.
e. Discuss the project’s significance in its field of study.
f. Explain how your professional experience is relevant to the project.
g. Discuss the project’s significance to your own professional development.
h. Provide a timetable for completing the project.
i. Include any grants, residencies or additional resources already available to you. Describe your project and how you intend to use the Academy grant.



Project Statement

Title: Occult Hollywood, the New World Order, and Leonidas Zegarra.
Written by: Jorge Villacorta

A. Description of the project:

This project is about the writing of a book that will explain why at the end of the year 2015 members of the New World Order working in Hollywood were paying attention to the idea that the Peruvian filmmaker Leonidas Zegarra was Hollywood’s living god.

B. b.1. Definition of the objective:

The objective is to explain why the year 2015 in Hollywood there were members of the New World Order who were interested in the idea of the Peruvian filmmaker Leonidas Zegarra as the living god of Hollywood. In order to achieve this goal the events that generated that situation will be described.

b.2. Definition of the methodology:

The explanation of the events stated in the definition of the objective (b.1) will be developed in chronological order. Through this explanation different aspects of Hollywood as a secret organization will be exposed. The main source of the information will be provided by an informant who lives in Peru who will interviewed several times. Several aspects of the story will be supported by reliable open sources and scholarly material.

C. c.1. Academic context of the project:

Due to the fact that this project involves political, economic, cultural, military, esoteric and spiritual subjects an interdisciplinary approach is required.

We live in a capitalist world organized by capitalist rules and rulers. Those human beings who control de economy control the other human beings. To keep their power alive and strong they attack all the other human wills that could confront their position. This war is permanent. The subject has been studied carefully by authors like Karl Marx, Frederic Engels, Vladimir Ilich Ulianov (known as Lenin), Leon Trotsky, Louis Althusser, Antonio Gramsci, Fidel Castro or Guillermo Lora. Naturally, all of them were supported by the  New World Order, because it creates its own enemies. We can read about his in “The best enemy money can buy” and “National suicide: military aid to the Soviet Union” by Anthony C. Sutton, “None dare to call it treason” by John A. Stormer, “The unseen hand: an introduction to the conspirational view of history” and “The New World Order” by A. Ralph Epperson, “None dare call it conspiracy” by Gary Allen and Larry Abraham, and “Truth is a lonely warrior: unmasking the forces behind global destruction” by James Perloff. Nowadays, it is evident that Hollywood is a weapon of the U.S. Intelligence Community. Many books detail this fact, for example: “Spooking the news: how the CIA manipulates the media and hoodwinks Hollywood” by Nicholas Schou, “In secrecy’s shadow: the OSS and the CIA in Hollywood cinema 1941-1979” by Simon Willmetts, “The CIA in Hollywood: how the agency shapes film and television” by Tricia Jenkins, “The cultural cold war: the CIA and the world of arts and letters” by Francis Stonor Saunders, “Guts and glory: the making of the American military image in film” and “Sailing on the Silver Screen: Hollywood and the U.S. Navy” by Lawrence Suid, “Operation Hollywood: how the Pentagon shapes and censors the movies” by David L. Robb, “Silver screen saucers: sorting fact from fantasy in Hollywood’s UFO movies” by Robbie Graham, “Confidential: the life of secret agent turned Hollywood tycoon – Arnon Milchan” by Meir Doron and Joseph Gelman. “Reel power: Hollywood cinema and American supremacy” by Matthew Alford. In addition to this information, in December 19, 2013 was declassified the “ANNEX “B” to the U.S. Doctrinal Program, PSB-D-33, June 29, 1953” that states that the CIA should develop doctrinal warfare abroad. So, the general context of the situation under study is known but, even though the academia offers a frame to understand visible social situation there are other aspects that we could call “fringe” that have not been adressed yet. This project will deal with this kind of topics.

D. d.1. Film industry subjects underrepresented in the canon of film scholarship to date.

Because winning hearts and minds is a sensitive issue under the current war there are film industry subjects underrepresented in the canon of film scholarship to date. Several questions that are avoided are the following.
- Are different Hollywood stars brought to life thanks to the performances of the same individual?
- Are well known public figures like congressmen, military and religious leaders, queens and presidents incarnated by Hollywood actors in disguised?
- Are “terrorist attacks” hoaxes perpetrated with the help of “crisis actors”?
- Are the U.S. Intelligence Community, Hollywood and the international political arena managed by the same “production company”?

This project will deal with those subjects.

d.2. Ideas underrepresented in the canon of film scholarship to date.

Questioning the basic facts of the social organization could be threatening to those in power. One idea underrepresented in the canon of film scholarship to date is the following:

- Is the reality a virtual world where the people who run Hollywood and the New World Order know rules ignored by the other participants?

This idea has been hinted in movies like “The Wizard of OZ” (1939), “Zardoz” (1974), “The Game” (1997), “The Matrix” (1999), “Synecdoche, New York” (2008), “The Box” (2009), “The Adjustment Bureau” (2011) , “Room” (2015), among others.

E. Project significance in its field today:

This project is important because it will help to integrate avoided topics in the scholarly arena and will provide an insight view of the workings of Hollywood, the New World Order and reality itself.

F. How my professional experience is relevant to the project.

I have worked as an actor and teach “Journalism and Disinformation” in a Peruvian university. These experiences help to understand the dynamics of deceiving people. Also, I am the appointed curator of the Museum Leonidas Zegarra (Casa Museo Leonidas Zegarra in Spanish). Thus, I am truly interested in everything about Leonidas Zegarra.

G. The project significance to my own professional development.

Writing a book on the proposed topic would be extremely helpful to my own professional development because this would be the ideal material of reference that I could use to teach “Journalism and Disinformation”. Also, the research process would generate more ideas for future projects. The publishing of the book will call attention to the filmmaking career of Leonidas Zegarra whose movies I have begun to study.

H. Timetable for completing the project.

April 2016 – October 2016: Gathering of information, interviews, research travel, organization of ideas.
November 2016 – January 2017.  Writing.
February 2017: Publishing of the book.

I. Resources already available to me. Description of the project and how I intend to use the Academy grant.

Resources: my brother’s laptop, my parent’s home.
My project is a book based in open sources and interviews. I will use the Academy grant to finance research travel and other expenses, including the publication and distribution of the book.

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Select Bibliography

Occult Hollywood, the New World Order and Leonidas Zegarra
Alford, Matthew (2010), Reel Power: Hollywood Cinema And American Supremacy, London: Pluto Press.
Allen, Gary, and Larry Abraham (1972), None Dare Call It Conspiracy, Rossmoor, California: Concord Press.
Bagdikian, Ben H. (2004), The New Media Monopoly, Boston: Beacon Press.
Birkenstein, Jeff, Anna Froula and Karen Randell (2010), Reframing 9/11: Film, Popular Culture And The “War On Terror”, New York: Continuum.
Boyd-Barrett, Oliver, David Herrera and James A. Baumann (2011), Hollywood And The CIA: Cinema, Defense and Subversion, New York: Routledge.
Boggs, Carl and Leslie Thomas Pollard (2006), The Hollywood War Machine: U.S. Militarism And Popular Culture, Boulder, CO: Paradigm Publishers.
Bogle, Lori Lyn (2004), The Pentagon´s Battle For The American Mind: The Early Cold War, Texas: College Station, TX: A&M University Press.
Bullock, August (2004), The Secret Sales Pitch: An Overview Of Subliminal Advertising, San Jose, CA: Norwich Publishers.
Cull, Nicholas J. (2008), The Cold War And The United States Information Agency: American Propaganda And Public Diplomacy, 1945 – 1989, Cambridge: Cambridge University Press.
Dowbenko, Uri (2004), Hookwinked: Watching Movies With Eyes Wide Open, Pray, MT: Conspiracy Digest.
Doron, Meir and Joseph Gelman (2011), Confidential: The Life Of Secret Spy Turned Hollywood Tycoon Arnon Milchan, New York: Geffen Books.
Epperson, A. Ralph (1982), The Unseen Hand: An Introduction To The Conspirational View Of History, Tuscson, Arizona: Master Printers.
Epperson, A. Ralph (1991), The New World Order, Tuscson, Arizona: Plubius Press.
Fulbright, James William (1970), The Pentagon Propaganda Machine, New York: Liveright.
Graham, Robbie (2015), Silver Screen Saucers: Sorting Fact From Fantasy In Hollywood’s UFO Movies,  Hove, United Kingdom: White Crow Books.
Hoffman II, Michael A. (2001), Secret Societies And Psychological Warfare, Coeur d’Alene, ID: Independent History And Research.
Jenkins, Tricia Anne (2012), The CIA In Hollywood: How The Agency Shapes Film And Television, Austin, TX: University of Texas Press.
Leab, Daniel J. (2007), Orwell Subverted: The CIA And The Filming Of Animal Farm, University Park, PA: Pennsylvania State University Press.
Osborne, Bob, (1990), Propaganda Tool: The Hollywood War Movie And Its Usurpation By TV, Pennsylvania: U.S. Army War College
Osgood, Kenneth (2006), Total Cold War: Eisenhower´s Secret Propaganda Battle At Home And Abroad, Lawrence, KS: University Press of Kansas.
Perloff, James (2013), Truth is a lonely warrior: unmasking the forces behind global destruction, Burlington, Massachusetts: Refuge Books.
Richelson T., Jeffrey (1999), The U.S. Intelligence Community, Boulder CO: Westview Press.
Robb, David L. (2004), Operation Hollywood: How The Pentagon Shapes And Censors The Movies, New York: Prometheus Books.
Saunders, Frances Stonor (2001), The Cultural Cold War: The CIA And The Worlds Of Arts And Letters, New York: The New Press.
Schou, Nicholas (2003), Spooking The News: How The CIA Manipulates The Media And Hoodwinks Hollywood, Unknown place of publishing: Hot Books.
Segrave, Kerry (1997), American Films Abroad: Hollywood´s Domination Of The World´s Movie Screens From The 1890s To The Present, Jefferson, NC: Mcfarland & Co Inc Pub.
Shaw, Tony (2007), Hollywood´s Cold War, Amherst, MA: University of Massachusetts Press.
Simpson, Christopher ed. (1996), Science Of Coercion: Communication Research And Psychological Warfare, 1945-1960, Oxford: Oxford University Press.
Stahl, Roger (2009), Militainment, Inc.: War, Media And Popular Culture, New York: Routledge.
Stone, Travis (2015), A Time For Deception: False-Flags, Technology Suppresion, And Deep CIA Secrets, Unknown: CreateSpace Independent Publishing Platform.
Stormer, John A. (2009), None Dare Call It Treason, Florissant, MO: Liberty Bell Press.
Suid, Lawrence H. (2002), Guts And Glory: The Making Of The American Military Image In Film,Lexington, KY: The University Press of Kentucky.
Suid, Lawrence H. (1996), Sailing On The Silver Screen: Hollywood And The U.S. Navy, Annapolis, MD: U.S. Naval Institute Press.
Sutton, Anthony C. (1986),  The Best Enemy Money Can Buy, Billings, Mont.: Liberty House Press.
Sutton, Anthony C. (1973),  National Suicide: Military Aid To The Soviet Union, New Rochelle, N.Y.: Billings, Mont.: Arlington House.
Trostky, Leon (1969), The Permanent Revolution And Results And Prospects, New York: Merit Publishers.
Trumpbour, John (2002), Selling Hollywood To The World: U.S. And European Struggles For Mastery Of The Global Film Industry, 1920 – 1950, Cambridge: Cambridge University Press.
United States, Joint Chiefs of Staff (2010), JP 3-13.2 Psychological Operations, Washington, DC: Joint Chiefs of Staff.
Valantin, Jean-Michel (2005),Hollywood, The Pentagon And Washington: The Movies And National Security From World War II To The Present Day, :Anthem Press.
Willmets, Simon (2016), In Secrecy’s Shadow: The OSS And CIA In Hollywood Cinema 1941-1979, Edinburgh, UK: Edinburgh University Press.
Wood, Judy (2009), Where Did The Towers Go?, Los Angeles, CA: Feral House.

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