miércoles, 1 de agosto de 2018

MOVIES, NANOTECHNOLOGY, BLACK SITES, VIRTUAL REALITY, SIMULATED ENVIRONMENTS.

THE U.S. INTELLIGENCE COMMUNITY HAS BUILT BLACK SITES BASED ON VIRTUAL REALITY AND SIMULATED ENVIRONMENTS THAT WORK LIKE 3D MOVIES RUN BY NANOTECHNOLOGY.
It is known that the movies, tv shows, comic books, science fiction books and the media in general are used to program the mind of the citizens. The stories depicted describe how advanced the current technology really is. Naturally, due to political reason the output of the research cannot be disclosed openly for public consumption, but it can be exposed as "entertainment."

While the public is told stories about "torture in airplanes" known as "torture flights" related to "extraordinary rendition" or "rendition aircraft," in fact, these terms are encoded lingo to refer to torture in black sites that exist "on air," which is a analog term used to the one in broadcasting. "On air" means that there is someone sharing information through electronic signals. The individual connected to a virtual or simulated environment that is being unknowingly "debriefed" or tortured is in a virtual "black site", the person that is being watched is "ON AIR" because he is transmitting information. The "joke" is shared with the public through entertainment.


Two examples are:

1. ALTERED CARBON:
This tv series distributed by Netflix shows it openly: it is possible to torture people in virtual environments if you pay the expenses fee. How to get free? Stop your hard in real life (or stop feeling emotions and having expectarions in the electronic black site [e-site or e-cine, "cine" means "movie in Spanish]) and the torturers will think that they are losing you (or won't find pleasure in torturing you.)


2.  BLACK WATER (2018):
This movie starring Jean-Claude Van Damme and Dolph Lundgren shows a submarine chosen as a a black site. To understand the joke we must consider that "WATER" are emotions. The pressure of the water at deeper levels is the increment of torture or situations that create emotional turmoil. This analogy is creative and funny if you are not the victim (well, if you are the victim it is funny, too, in a more perverse way.) Inside an electronic black site an individual thinks that it is his reality, therefore, the torture shouldn't be evident. "WATER" backwards reads as "RETAW." The individual can be situated in any country or place and be placed there since he was born. So, the language and values can be taught "backwards." Like in "THE SHINING" (1980) where REDRUM (or RED ROOM) is MURDER backwards, RETAW in Spanish means "dare W" but, the "W" is also an "M", therefore, it means "dare M" or "dare me" (that in Spanish is written "rétame"). This way the torturers not only laugh but justify that they are bullying the person. (By the way, the T sometimes sounds like D, so RETAW can be REDAW and DAREW or DARE DOUBLE YOU.) The "joke" is fed to the individual through the media in the time and country he has been placed, the messages are supposed to be "entertainment" but they really talk mockingly about his own situtation. The person is "in the loop" and this used to pretend that the person has situated himself in such position due to the fact that he is TWO (2) YOU (or DOUBLE YOU.) The "joke" goes on implying that the tortured person sees two persons when there is only one, which is DOUBLE VISION as a consequence of DRINKING too much ALCOHOL, the person is DRUNK! The "W" in "DARE W" is also related to WATT (as in WHAT? and TAW, a marble or to MARVEL and the simbol for testicles and being tough) and is the symbol of TUNGSTEN which is used in lamp fillaments.and in the INCANDESCENT LIGHT BULB, this last one a symbol of sudden comprenhension (EUREKA! E-U-REC-A!.)


miércoles, 6 de junio de 2018

THE 15:17 TO PARIS

PENTANGON SANCTIONED PROPAGANDA DEMANDS POLITICAL ILLITERACY! ABSOLUTE IGNORANCE OF PSYCHOLOGICAL OPERATIONS (KNOWN AS MISO - MILITARY INFORMATION SUPPORT OPERATIONS) IS REQUIRED BY THE U.S. DEPARTMENT OF DEFENSE TO WATCH THIS MOVIE!

It is fascinating thta in order to tell a fairy tale so unbelievable, a filmmaker like Clint Eastwood needs the support of the propaganda bureaucracy known as the U.S. Department of Defense.

While many crimes ocurr in France all the time, the suppression of one attack inside a train becomes a movie. Would it be because the "heroes" were American? Or would it be because two of them were American soldiers and one of them an African American? 

Doesn't it look like it was staged?

Even for the virtual reality I am "living in", this movie is a bit two much of an American ideological discourse. Apparently, the programming of the machine can't be improved. Well, a computer that cannot be reprogrammed isn't that good...

Extremely ridiculous scenes:
- 2 Americans visit the Vatican and pretend that everything is amazing istead of recognizing that the Catholics accept imaginary discourses...
- 2 Americans visit Venice and meet... an American from Los Angeles inside a boat!

Suggestion: Clint Eastwood and the U.S. Department of Defense should study under the guidance of Leonidas Zegarra, the Anti-Communist Filmmaker. After that, they would make more entertaining movies.

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domingo, 20 de mayo de 2018

BLACK PANTHER

ANTI-DONALD TRUMP AND COMMUNIST PROPAGANDA.
Communist Propaganda barely disguised as "entertainment": BLACK PANTHER (2018).

It is truly revealing that the psychological warfare developed by the Communist ideology infiltrates so batantly blockbusters like BLACK PANTHER (2018).

At the end of the movie, after a first credit apparition, the Wakanda leader states at the United Nations:

 ... and for the first time in our history we will be sharing our knowledge and our resources with the outside world. Wakanda will no longer watch from the shadows. We cannot. We must not. We will work to be an example of how brothers and sisters of this Earth should treat each other. Now, more than ever the illusions of division threaten our very existence. We all know the thruth. More connects us than separates us. But in times of crisis the wise build bridges while the foolish build barriers. We must find a way to look after one another. as if we were one single tribe.

1) This statement suggests that building a wall between Mexico and the U.S. is foolish. Thus, this is an anti-Donald Trump movie.

2) The Wakandan leader offers marvels that don't exist in reality. So, his promises are empty promises. The Third World Countries don't have technology to offer. Therefore, the idea is just propaganda.

3) The Wakandan leader wants the world countries to behave as one single tribe. So, he states a Communist agenda.

4) Everett K. Ross, the Central Intelligence Agency (CIA) officer, looks noticibly less athletic than the Wakandans and, even though he is a "noble person", the technology he uses is inferior to the one used by the Wakandans. He is healed by the Wakandans after being shot. All this is not only racist, but overt pro-Third World propaganda that diminishes the appeareance of the CIA. This movie could easily been designed in a Cuban Communist Laboratory, in North Korea, Russia (former Union of Soviet Socialist Republics), or the People's Republic of China.

5) Ulysses Klaue, one of the "bad guys" is an Afrikaner, so he has Dutch heritage. He behaves as a caricature. This is more racism.

The two production companies behind this piece of Communist propaganda, anti-CIA, anti-Donald Trump, are:
-Marvel Studios [US]
- Walt Disney Pictures [US]

What is the real agenda behind these two production companies?
Can we be so naive as to believe that this movies are "entertainment" and don't have propaganda value?
Have the U.S. already been defeated in the Cold War?

Apparently, no one cares.
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 The little, technologically underdeveloped, white guy is just an insignificant Central Intelligence Agency Officer. Is BLACK PANTHER (2018) laying the groundwork for a general Third World Revolution in the mind of the espectators?

viernes, 2 de febrero de 2018

LEONIDAS ZEGARRA: HAPPY BIRTHDAY 2018! ¡FELIZ CUMPLEAÑOS 2018!

THE GREATEST ANTI-COMMUNIST PERUVIAN FILMMAKER WAS BORN THIS DAY! ¡EL MÁS GRANDIOSO DIRECTOR DE CINE DEL PERÚ QUE ES ANTICOMUNISTA NACIÓ EN ESTA FECHA! 

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jueves, 7 de diciembre de 2017

LA PAISANA JACINTA: EN BÚSQUEDA DE WASABERTO.

THE PERUVIAN SOUL AT ITS BEST!



If the reader has never visited Peru or lived in the country for a while, this one is the kind of movie that would depict the Peruvian soul accurately.

In Peru, a country that is a prison due to the influence of the Communists, Socialists, and Leftits, nowadays the movie is being attacked due to the fact that it has become a box office hit! The Communists, who in past created all kind of weird laws that would legalize all kind of robbery, never left the country. They continue attacking the popular taste when it goes against their own agendas.

The Communist New World Order intends to imprison the whole planet under the code of conduct known as "political correctness", which is psychological warfare against the individuals disguised as "progressiveness."

LA PAISANA JACINTA: EN BÚSQUEDA DE WASABERTO cannot be accepted by the Leftist because its message reinforces the perceptions of the members of those social layers that they eagerly want to ingrained into their cause. The Communists don't want competitors in the ideological arena. So, they are sabotaging the movie. Too much mind independence for the population is bad for them.

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jueves, 30 de noviembre de 2017

KINGSMAN: THE GOLDEN CIRCLE.

ANTI-TRUMP & ANTI-AMERICAN MOVIE! WHY SHOULDN'T THE U.S. PRESIDENT WIN THE WAR ON DRUGS? BECAUSE THERE ARE A LOT OF UNIMAGINATIVE LOSERS WHO USE DRUGS TO DEAL WITH THE DAILY PRESSURES?

The U.S. President shouldn't win the War On Drugs so bloody losers should live? It seems that "Kingsman: The Golden Circle" is obvious Communist Anti-Trump psychological warfare!

 Do you know why LANCE ARMSTRONG was stripped of his 7 Tour de France Titles?

According to Bussines Insider, it was because "the U.S. Anti-Doping Agency found that his team runs "the most sophisticated, professionalized and successful doping program that sport has ever seen."


Well, if we see that competitors in a competition are disqualified because they are not competent enough as to deal with the demands of the competition without the use of drugs... why as an audience should we accept the message delivered by the ANTI-TRUMP/ ANTI-AMERICA British-American movie KINGSMAN: THE GOLDEN CIRCLE?

According to this movie, the U.S. President, instead of winning the WAR ON DRUGS should lose the war so a lot of losers can live! But the wars have casualties! Why a lot of cheating competitors in the routine capitalist daily life competition should be saved! If they cannot deal with daily pressures they should change their job! They should change their style of living! They should move to the United Kingdom, Venezuela, North Korea, Russia, or Bolivia! If they cannot live according to the demands of their positions in the capitalist system they must move and let capable workers develop their activities! The capitalist system doesn't work better because a lot of workers is not fit to deal with their responsibilities and have to use drugs!

It is incredible that Twentieth Century Fox is distributing such a movie! Twentieth Century Fox doesn´t understand the spreading the idea of forgiving losers will have its business crushed! Losers are good for nothing! So, how do Twentieth Century Fox expect the keep a paying audience? Is Twentieth Century Fox crazy? 

Is getting drunk a solution to anything?

I hope that at the Department of Defense, nobody listens to those heavy pot smoking - homosexuals - British operatives - political advisers who can talk to the U.S. President! Only the British would like a movie the promotes defeatism in America! Instead of having a healthy society where everyone can face reality, the British would want an American society where the soul weaknesses are encouraged! If you are not capable of assuming a responsibility at a time you should accept it! But using drugs to deal with "the pressure" is sabotage! Escapism is not an option for Americans! Let the British pretend that they can rule the world with drugs! This is no the American style!

It is obvious that there is an agenda behind this feature film!
Why the U.S. President goes to jail at the end of the movie just because he thinks like a warrior?
Why a member of the Department of Defense is the only one who agrees with winning the War on Drugs?
How many COMMUNISTS are needed to write down a script like this one?

Donald Trump, the U.S. President is under attack right now! The leftists, socialists, Communists, want the support of those losers who use drugs!! The same losers who forced America to leave Vietnam due to their political intervention in Washington D.C.! The Department of Defense is under attack too! It is time to win again! Keep your eyes open! KINGSMAN: THE GOLDEN CIRCLE is COMMUNIST psychological warfare disguised as teenage entertainment!

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miércoles, 22 de noviembre de 2017

JOSHUA KENNEDY MAN OF THE ARTS: AN INTERVIEW.

JOSHUA KENNEDY TELLS US ABOUT HIS APPROACH TO FILMMAKING!

JOSHUA KENNEDY Man of the Arts


1)      When did you saw, for the first time, the movies as a medium that you could become involved with?

Film has always been a part of my life; I always joke that I came out of the womb holding a camera.

I remember going to see the animated film THE PRINCE OF EGYPT and being upset that Charlton Heston wasn’t playing Moses. I was four when PRINCE OF EGYPT came out… which means that I had already seen Cecil B. DeMille’s THE TEN COMMANDMENTS in its entirety by that age. I was one weird kid.

I made my first film not too long after called IT CAME FROM THE BATHROOM, about a giant monster that emerges from the toilet and kills all of my toy soldiers.


2)      What was the attitude of your environment toward the movies? (did your parents liked filmmaking?, did they encourage you to make your own movies?)

I have been extremely blessed with an incredibly positive environment regarding my filmmaking. My mom is a huge movie fan, and my Dad is wonderfully outgoing and expressive in everything he does. In short, my life was a perfect melting pot to create in.

3)      You like making a particular kind of movie. Did you experience an inner struggle before accepting the kind of movie you like?

Oh, no, I’ve never experienced that type of struggle. I like what I like and I’m going to make what I like. I had many teachers in school tell me I should write something like a family drama, and my answer always would be “When I am interested in family dramas, I will make a family drama. Right now, I am interested in vampires.”

4)      Why do you like the kind of movie that you like to make?

I love fantasy because it is so far removed from every day life. I love seeing how an ordinary person would react when confronted by a giant squid, or a woman who turns into a snake… it just intrigues me.

5)      Obviously, making your movies take time, effort, and resources. Are you satisfied with the results?

Yes, I am very happy when I complete a film. Of course, as time goes on and I grow, I look back at certain films and cringe! But I think that is with any artist…


6)      Right now, do your movies recover the investment?

I really haven’t had a budget before – so – yes! They do recover an investment of $17!


7)      If you had financial freedom (up to 10 million dollars) to make a feature film, what kind of movie would like to do? Do you have a pet project right now?

I have a habit of not letting my pet projects percolate in the future: I end up doing them immediately.

There was an entire summer where I was obsessed with the AIRPORT films of the 1970s. I wanted to make my own version, but everyone kept telling me to wait until I had a budget for an actual plane.

I threw out that idea and made it anyway – transforming a hallway at my school into a cockpit.

8) What is your attitude toward the monetary aspect of making one of your movies?

Awful. I’m not a businessman and I never intend for my movies to make me rich or famous. Of course, an actual budget would be ideal to pay my volunteer actors… and to have actual sets and the like…

9)    How do you gather your production team and the actors? Do you pay them? Do they work for free?

I’ve been constantly blessed to be surrounded by friends who are WILLING to be in my productions and be paid in food, experience, and an IMDB credit. It helps that most of them are actually actors, themselves. If I had a budget, they’d be the first to be paid.

10)      How long does it take to edit one of your movies?

This is a good question that I probably don’t have an exact answer for! Haha. I edit while I am shooting, so there really isn’t a period of “Pure Editing”. A month? A month and a half?

11)  Do you use storyboards to shoot the movie according to the images inside your head or you adapt the camera viewpoint to the circumstances? Or are you imitating the images from other movies?

A bit of all of those, actually!

For action sequences, I think it is vital to have storyboards.

I’m inclined to see what the scenes present themselves in rehearsal – maybe an actor will come up with an idea that didn’t even cross my mind while writing, and then I can adapt from there.

And yes, some scenes of mine pay tribute to films that have come before and so I replicate certain shots in my own way.

12)   How long do the actors practice the lines before shooting? Do you organize collective readings?

Preferably I like to have the entire cast together to read through the entire script at least once, but this is very rare. The hardest part for me as an independent, low-budget filmmaker is that my actors are purely volunteers and are giving up their free time to work with me: having them all show up on time to film one scene is a miracle so I try my best not to waste time.

Ideally, I will tell them the scene(s) we will be shooting a few days beforehand and they show up with their lines memorized. Of course, sometimes the actors called for that day have last minute change so their schedule and I am forced to shoot other scenes with the actors who do show up! When that happens, those that did show up are forced to learn their lines in a hurry, and I am forced to come up with shooting ideas for a scene I was unprepared for.

13)  Do you admire specific movies or filmmakers? Which ones?

It really takes a lot for me to dislike a film. I love science fiction and fantasy.
I adore the Hammer Films of the 50s, 60s, and 70s. Terence Fisher is my favorite director along with (off the top of my head) Billy Wilder, Hitchcock, James Whale and Howard Hawks, among many others.

From the modern filmmakers I’ve been most impressed with the films:
Birdman, Rogue One, The World’s End, Scott Pilgrim vs. the World,

14)   How do you see yourself in the filmmaking world in 2,022? Do you have specific goals to achieve?

If I could continue making films, I would be entirely happy. If I could be making money from them: all the better.